My favorite book on writing is Ayn Rand's The Art of Fiction, which I posted a book review of back in 2011. I'm not a writer that's into writing fiction for fiction's sake. While I love writing stories, I can't write a good one unless I feel that there's some point to what I'm doing, other than my own amusement. I want people to get something out my stories besides just entertainment. That's just who I am. And because of that, Ayn's book spoke to me more than any other writing book I've read. She tells you how to focus everything in your story on making the point you want to make.
So, naturally, I was curious when I saw an article titled "Why Even Ayn Rand Can Teach You Something About Writing."
Even Ayn Rand. Well, that's generous of you.
Mostly, the article is about Why Ayn Rand Can't Teach You Anything About Writing At All. Oh, and she hates humanity. And is boring. Actually, the only benefit the writer of the article believes can be derived from reading her book is the opportunity to practice working past a state of rage so that you can then prove why she's wrong.
He complains about Ayn's writing all the way down to her prose style, but it's obvious that what he really objects to is her philosophy, Objectivism, which she's not at all shy about espousing. I don't agree with Objectivism because it's a godless school of thought, but it's important to realize that Objectivism and Christianity are on the same side in one very crucial battle.
You see, both believe in an objective reality.
This means that both Christians (if they're worth their salt) and Objectivists believe that reality exists apart from our perceptions of it. We either perceive reality correctly or we don't. Two directly-conflicting views of the world can't both be right. Not all views are equally valid. They are valid in so far as they line up with the reality that exists outside of all perceptions. Truth is solid and cannot be changed. It exists. If it contradicts itself, it is not truth.
Most intellectuals do not believe in an objective reality anymore. They demonstrate this in the art they create and value: books with made-up words, art that destroys boundaries between things, films that tear down the notion of reality. Rarely will they come out and voice this core belief, but it's here, plain to see, in their hatred of a writer who believed that words should have concrete meanings.
No, I don't think books should be 'preachy.' But I'm willing to use my fiction to say that some things are of greater value than other things, that the universe has meaning that we can understand, that there is right and wrong, truth and falsehood, lines that should not be crossed, ways we should live.
Can you believe it's come to this? That we're considered old-fashioned for believing in reality?
Showing posts with label ideologies. Show all posts
Showing posts with label ideologies. Show all posts
Sunday, June 3, 2012
Monday, May 30, 2011
Review of The Art of Fiction, by Ayn Rand
My rating: 5 of 5 stars
I believe this may be the most insightful book about writing that I have ever read. Ayn Rand is not about to accept any of the common cop-out explanations for writing: "Well, it just turned out that way." "I felt like doing it like that." "It seemed right." She declares that everything you write is because of some premise you hold in your head, whether you realize it or not, and that the key to good writing is to learn how to identify and shape those premises as you wish.
Her understanding of plot is more distinct and complete than that of any other writer I've heard explain the issue. For Rand, plot is all about definite purpose. This extends even to her descriptions, where every sentence is evaluated for how well it advances the (sometimes many) purposes of its paragraph. Rand draws a distinction between Romantic writing and Naturalistic writing. Romantic writing, she says, examines the underlying motives of human decisions, while Naturalistic writing claims to set down things 'as they are' but makes no value judgments. I found this insight helpful, as it explains why some books called classics are engaging and memorable, while others seem to wander without a point.
Some may find Rand's philosophy hard to get past. She certainly isn't shy about communicating it to you. Some may also find Rand's self-aggrandizing to be a distraction. (As she openly says early in the book, she believed herself to be the best writer of her time.) However, in my opinion, the clear advice she offers is too valuable to pass by. The fundamentals of good fiction are all here in this slender volume.
Note: Because of my own self-censoring, I skipped most of Chapter Eight, which dealt with love scenes. Readers who wish to guard their hearts from such things (and those under 15) will probably want to do the same.
View all my reviews
Monday, May 16, 2011
Review of The Godless Constitution, by Isaac Kramnick and R. Laurence Moore
My rating: 4 of 5 stars
As a Christian homeschooler (using Sonlight curriculum, if you want to know), I was originally put-off by the title of this book. Indeed, the first chapter seemed at times to veer into an anti-Christian rant. However, as the book progressed and I began to see the authors' point of view, I realized that they did have some very valid points. Two that I thought were most valuable were these:
1. If we ask the government to adopt religious slogans, we are asking it to overstep its bounds. If allow the government to make decisions on religious matters, we open the floodgates to all other kinds of infringements on our rights.
2. Christians (and other religious people) should not appeal to the government to fix society's problems. If we see a moral failing in our nation, it does not mean that the government has fallen down on its job: it means that the church has failed in its responsibility.
For these reasons, I do recommend this book to anyone who wonders what the right relationship should be between religion and politics. It does not hold all the answers, but to the thoughtful reader who is willing to consider and discuss the ideas it contains, it is another piece of the puzzle.
View all my reviews
Saturday, September 18, 2010
Bookish Things (Including Book Reviews)
My writing is in a strange spot recently, so how about I talk about reading books instead of writing them?
I picked up Brandon Sanderson’s book, Mistborn: The Final Empire, from the library yesterday. I’ve decided this will be the final test of whether or not I like epic fantasy – the book is over 500 pages long, and it’s the first of a trilogy. So far, I’ve only finished the prologue. It is interesting so far. The style doesn’t pull me in immediately – methinks I’ve been spoiled by the Douglas Adams and Oscar Wilde I’ve been reading recently, as both of them have distinct styles (and in the case of Adams, his quirky, unpredictable style was the main reason I kept reading – more on him below). Ah, well. We’ll see how it goes. I suspect it will end up in the large stack of books I started out of curiosity and never finished, but I’ll give it an honest go. At any rate, I will write a review of however much of it I do read.
I have decided: I want to read The Hunger Games. After so many years of resisting bestsellers and YA (and particularly best-selling YA), I’ve decided to yield to both of them. Since there are over 250 requests on the copies at the library, I have decided to ask for it for my upcoming birthday. (Which is soon. Far too soon.) It is rare for me to buy a book without having read it first, so I am both excited and a little apprehensive. Apprehensive? Yes. I seem to have terrible luck with books that I just pick off the shelves. Oh well. Anything that is an adventure is bound to have some element of danger, and if reading books is the former (which is certainly is), then I can’t expect to always be successful in avoiding the latter. And some things are worth the risk.
And now for brief reviews of a couple of books I finished reading recently:
The Hitchhiker’s Guide to the Galaxy
If you have anything remotely resembling a quirky streak, this book is for you. Douglas Adams uses randomness, implications, digressions, and the surprisingly logical absurd to take the reader on a wild ride and leave him giggling and spouting quotes from the book. This book was so much fun. I enjoyed every minute of it, and I highly recommend it.
I picked up Brandon Sanderson’s book, Mistborn: The Final Empire, from the library yesterday. I’ve decided this will be the final test of whether or not I like epic fantasy – the book is over 500 pages long, and it’s the first of a trilogy. So far, I’ve only finished the prologue. It is interesting so far. The style doesn’t pull me in immediately – methinks I’ve been spoiled by the Douglas Adams and Oscar Wilde I’ve been reading recently, as both of them have distinct styles (and in the case of Adams, his quirky, unpredictable style was the main reason I kept reading – more on him below). Ah, well. We’ll see how it goes. I suspect it will end up in the large stack of books I started out of curiosity and never finished, but I’ll give it an honest go. At any rate, I will write a review of however much of it I do read.
I have decided: I want to read The Hunger Games. After so many years of resisting bestsellers and YA (and particularly best-selling YA), I’ve decided to yield to both of them. Since there are over 250 requests on the copies at the library, I have decided to ask for it for my upcoming birthday. (Which is soon. Far too soon.) It is rare for me to buy a book without having read it first, so I am both excited and a little apprehensive. Apprehensive? Yes. I seem to have terrible luck with books that I just pick off the shelves. Oh well. Anything that is an adventure is bound to have some element of danger, and if reading books is the former (which is certainly is), then I can’t expect to always be successful in avoiding the latter. And some things are worth the risk.
And now for brief reviews of a couple of books I finished reading recently:
The Hitchhiker’s Guide to the Galaxy
If you have anything remotely resembling a quirky streak, this book is for you. Douglas Adams uses randomness, implications, digressions, and the surprisingly logical absurd to take the reader on a wild ride and leave him giggling and spouting quotes from the book. This book was so much fun. I enjoyed every minute of it, and I highly recommend it.
-But Be Forewarned: There is much cussing of the British variety, along with one or two occurrences of the s-word. References to drinking. The cost of losing a drinking game is described as being “obscenely biological.” References made to Christian themes and beliefs that aren’t at all reverent (of course). A consistent theme is the insignificance of humanity.
Modern Art and the Death of a Culture
Even though this book was written nearly forty years ago, H. R. Rookmaaker’s words still have relevance and power. Coming at art with a Biblical worldview, he dissects Modern art and exposes it as the product of an anti-Christian ideology nearly 500 years in the making. After laying out the history of Western art and thought, he offers an insightful solution for what to do to confront this godless tide of destruction.
-Personal Note- A lot of my material for my research paper on Modern art came from this book. After a while I had to stop and remind myself that for a research paper I did have to take from other sources. If it were possible, I would have quoted the entire thing.
-But Be Forewarned: Since Modern art is frequently grotesque and obscene by nature, Rookmaaker must occasionally touch on topics that are inappropriate for children. But he does so tactfully, and I did not find the references offensive at all.
Labels:
book reviews,
books,
ideologies,
Modern art,
reading
Tuesday, August 17, 2010
Conservative Propaganda
I have created some images that I would like to call conservative propaganda. The first one is of Woodrow Wilson, who instituted a fascist regiem in America during World War I:
And this second one is of Nietzsche -- the German philosopher who famously declared that "God is dead."
These two men were among the many thinkers who worked to bring about the social and moral crisis we have in the West today. If you don't believe me, I suggest you read Jonah Goldberg's excellent book, Liberal Fascism. I am reading it right now, and it is very informative about the history of the liberal movement and its ideological link to socialism and fascism.
And this second one is of Nietzsche -- the German philosopher who famously declared that "God is dead."
These two men were among the many thinkers who worked to bring about the social and moral crisis we have in the West today. If you don't believe me, I suggest you read Jonah Goldberg's excellent book, Liberal Fascism. I am reading it right now, and it is very informative about the history of the liberal movement and its ideological link to socialism and fascism.
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